Biffy Clyro Unleashes a Night of Pure Rock at the Roig Arena Auditorium
The Scottish trio delivered a concert full of contrasts, alternating high-voltage rock with emotionally charged ballads.
The setlist featured hits such as “Space,” “Mountains,” and “Many of Horror,” among others.
Biffy Clyro proved tonight at the Roig Arena Auditorium why they remain one of the most influential rock bands of their generation. The Scots deployed a powerful live performance where heavy riffs intertwined with soulful ballads, crafting a vibrant journey full of contrasts.
While the core lineup still centers on Simon Neil (vocals and guitar) and the Johnston brothers, this tour features a significant change: Naomi Macleod has taken over bass duties in the absence of James Johnston, who has temporarily stepped away from the stage for health reasons.
The evening opened with an indie rock set by Bartees Strange. Shortly after, Biffy Clyro stormed the stage, kicking off the show with the high-adrenaline energy of “A Little Love,” a standout track from their critically acclaimed recent album, Futique. They followed up immediately with “Hunting Season” and “That Golden Rule.” Moving from incisive rock to profound vulnerability, the band transitioned into “Shot One” and the stirring “Space”—a fan favorite and a staple of their repertoire.
The electricity returned with the powerful pairing of “Wolves of Winter” and “Tiny Indoor Fireworks,” before slowing the tempo once more for “Goodbye.” On this occasion, “Friendshipping” took on a special meaning as Simon Neil dedicated the song to James Johnston, a gesture that deeply moved the entire venue.
From that point on, the concert entered its most anthemic phase with “Biblical,” “A Thousand and One,” and “Different People,” reaching a fever pitch with “A Hunger in Your Haunt,” which was shouted back by a fully captivated audience. The emotional surge continued with “Black Chandelier,” a track that builds steadily toward its explosive chorus.
As soon as the crowd recognized the opening chords of “Mountains,” they surrendered completely to the music. The band then returned to a more intimate setting with “Two People in Love” and “Machines,” two ballads that rebalanced the energy in the room.
The finale was a true celebration of rock, featuring “The Captain”—where the band showcased their instrumental excellence—followed by “Living Is a Problem Because Everything Dies” and “Bubbles,” a track that encapsulates their sonic DNA. However, it was the fan favorite “Many of Horror” that ultimately highlighted why they are one of the most prominent fixtures in contemporary rock.