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André Rieu Transforms the Roig Arena into a Viennese Gala Hall

  • The conductor, accompanied by the Johann Strauss Orchestra, delivered a recital blending waltzes, soundtracks, and operatic masterpieces.

  • "The Blue Danube," the "Radetzky March," and "Libiamo" were among the pieces performed by Rieu and his Orchestra.

This evening, the Roig Arena hosted a true celebration of classical music led by André Rieu and the Johann Strauss Orchestra. Over 11,000 spectators filled the Valencian venue, encountering a stage that evoked the splendor of a traditional Viennese gala hall.

Shortly after 8:00 PM, the opening notes of "Entrance of the Gladiators" began the evening as Rieu paraded through the stalls accompanied by his entire orchestra: the women in colorful, fairytale gowns and the men in impeccable suits, completing a scene straight out of a movie.

On stage, nearly 60 artists—including musicians, soloists, and a choir—delivered a program full of nuance, combining classic waltzes, versions of great anthems, soundtracks, and operatic pieces. Among the most celebrated waltzes were the emotive "Schneewalzer" (Snow Waltz) and the solemn "The Blue Danube," the iconic piece honoring the beauty of the famous European river. Italian opera also had its moment with the festive "Libiamo" from La Traviata.

Rieu once again demonstrated his fondness for great soundtracks with performances from My Fair Lady and "On My Own" (Les Misérables). The surprise of the night came during the performance of "Macarena," when the duo Los del Río appeared on stage to sing the world-famous hit alongside the orchestra. Additionally, Rieu paid another tribute to Spain with "La Bamba." His versions of Tom Jones’s "Delilah" and Neil Diamond’s "Sweet Caroline" also ignited the audience's enthusiasm.

However, the most acclaimed performance was undoubtedly the essential "Radetzky March." During this Johann Strauss Sr. composition, the audience followed the maestro’s lead, clapping along in unison. For the finale, Rieu chose "Adieu, mein kleiner Gardeoffizier" and "Marina," two vibrant and joyful pieces that brought the entire arena to its feet.